David Byrne and the Forks Episode on The Bear: A Sonic Journey of Discovery
Anyone familiar with FX/Hulu’s The Bear knows that the show’s musical choices are not just background noise; they are integral to the unfolding emotional and narrative arcs. Season 2, Episode 7, titled Forks, showcases a transformative moment in the life of Richie Jerimovich, a misanthropic, sometimes abrasive character, whose personal hero’s journey crescendos to the haunting and hypnotic rhythms of David Byrne’s “Glass, Concrete, and Stone.”
Released in 2004, Byrne’s track is far from obscure, yet its sudden resurgence in a pivotal episode like this makes it feel freshly minted as if rediscovered in the collective consciousness of its listeners. The song’s layers of rhythmic orchestration and Byrne’s nuanced vocal delivery evoke a sense of being both out of place and in perfect harmony with the world—a sentiment Richie embodies in Forks.
The Rhythm of Transformation
Byrne’s “Glass, Concrete, and Stone” plays like a mantra, its lyrics deceptively simple yet potent. “Everything possible when you’re an animal” feels less like a whimsical musing and more like an existential directive—an invitation to embrace the primal, the messy, and the unrefined. In the context of Richie’s journey, it underscores his transition from the fragmented chaos of his former self to someone who, for the first time, experiences what it’s like to belong, to be part of something larger than himself. The show’s choice to place Byrne’s song here is brilliant, offering a sonic reflection of Richie’s internal turmoil and newfound clarity.
From the Screen to Our Ears
As a listener, one cannot help but be “sonically smitten” by the orchestrally rhythmic pulse of Byrne’s song, an unexpected companion to Richie’s arc. The track feels like a cognitive redirect, a sonic paradigm shift that pulls you into its groove and doesn’t let go. In many ways, it serves as a mirror to the transformative experience of watching The Bear. The show’s ability to awaken something dormant in the viewer through music aligns perfectly with the way “Glass, Concrete, and Stone” woke up our Beginner’s Mind—forcing us to reengage with both the song and the character in new ways.
A Timeless Masterpiece Revisited
Though this track was released nearly two decades ago, its appearance in The Bear breathes new life into it. As Byrne has always shown in his music, there is no expiration date on artistic relevance. When music, old or new, is deployed with such precision in a visual narrative, it transcends its original context, becoming something entirely new for both longtime fans and first-time listeners. This track isn’t just a song; it’s a vehicle for transformation—Richie’s, the show’s, and ours as listeners.
So, is “Glass, Concrete, and Stone” worth your time? Absolutely. Whether it’s your first time hearing it or your thousandth, the song, much like the show, invites you to engage with the world—and yourself—in a way that feels both familiar and new.
Anyone watching the superior FX/Hulu episodic show The Bear knows the music chosen for each episode is intentional, and seamlessly confluent with the visual narrative. In episode 7 Season 2-entitled Forks, The misanthropic character Richie Hero’s Journey episode utilized David Byrnes’s song, Glass, Concrete, and Stone, with great effect. This listener was sonically smitten with the orchestrally rhythmic, vocally nuanced pop masterpiece, “Everything Possible When You’re an Animal”, Glass, Concrete, and Stone song, to the precipice edge of obsession. Glass, Concrete, and Stone woke up our Beginner’s Mind anew. Now you know, we have played this amazing track rut of groove, cognitive re-direct, new paradigm shift. Is this song worth our time, worthy of yours, and ready today for the world to hear? A resounding yes comes back from the Gods. A 2004 track is hardly a premier but when new to us, heard anew on a favorite show soundtrack, we divine it new to you as well. Enjoy.
“Anxiety and angst can certainly produce some interesting work, but it’s not the only way to make music. I’m also not as obsessive and crazy as I used to be.”
With David Byrne &
The Detroit School Of The Arts
Glass, Concrete & Stone
Provided to YouTube by Nonesuch
Glass, Concrete & Stone · David Byrne
Grown Backwards
℗ 2004 Nonesuch Records
Bass, Producer, Vocals: David Byrne
Percussion: David Hilliard
Masterer: Greg Calbi
Cello: Jane Scarpantoni
Mixer, Recorded by: Mark Saunders
Marimba, Percussion: Mauro Refrosco
Producer: Patrick Dillett
Composer, Writer: David Byrne
Grown Backwards
Grown Backwards, as the title suggests, skips whistling into maturity, and employs this concept as its thematic core. Here, endearing for his joyous, occasionally wrong-footed style-hopping, David Byrne gleefully releases himself to fate, both critical and existential, like a man who’s breathed in the dust of ceiling tile, cinder, faxes, and bone. He even wears Oshkosh overalls on the back. (Perhaps. They could be Miu Miu.)
If you hold the cover of Grown Backwards before your face at a precise angle, twisting your head to the right slightly, the mirrored finish of its packaging superimposes your visage over David Byrne’s remarkably unchanged face. Put the CD down and your fingerprints blemish the gloss with human grease. Intended or not, the album physically reflects and inserts the listener. With its themes centered on the amusing and tragic nuances of seemingly mundane human behavior, Byrne has crafted a personal album for all, confronting us with our greatest fears and flaws– mainly mortality.
The album’s sequencing even parallels a lifecycle: The opening is exciting, naively romantic, and carefree. Like adolescence, tracks four through seven strive awkwardly to follow trends and fit in. Regal trumpet blasts herald a diatribe of American imperialism on the unfittingly political “Empire”. And finally, “The Other Side of Life” arrives at adulthood, with arms wide before a Broadway melody. With signature wide-eyed sincerity, Byrne sings, “I don’t have any more problems/ All of my worries are gone/ Beautiful angels appear at my side/ And corporate sponsors will act as my guide,” dispensing any sarcasm these lyrics might imply. “Glad” revels in a laundry list of flaws: “I’m glad I got lost/ I’m glad I’m confused/ I’m glad when the sex is not that great/ I’m glad I know how my life will end/ I’m glad I’m a mess,” again, with ambiguously sincere delivery. Whether Byrne is mocking the shortcomings of the average man or rejoicing in his own averageness is unclear, but either way, it works.
David Byrne signed Grown Backwards cd
David Byrne signed Grown Backwards cd in very good condition. Signed in blue sharpie marker. LOA provided.
“Glass,Concrete & Stone”- David Byrne
R.E.M. – Strange Currencies (Official Music Video)SONG