FILE - In this Nov. 27, 1976 file photo, Levon Helm, of The Band, playes drums at the band's final live performance at Winterland Auditorium in San Francisco. Helm, who was in the final stages of his battle with cancer, died Thursday, April 19, 2012 in New York. He was 71.

The Story Behind “Atlantic City” by The Band: A Timeless Rendition of Springsteen’s Classic

 

When The Band took on Bruce Springsteen’s “Atlantic City” for their 1993 comeback album Jericho, they didn’t just cover a song—they transformed it. By the time they performed it live in 1994 at a show in Rockford, Illinois, for the TV series The Road (aired in 1995), The Band had fully claimed the song as their own, weaving it into their rich legacy of roots-rock storytelling. This performance—featuring a powerful lineup of musicians, including Levon Helm, Rick Danko, and Garth Hudson—gave a whole new life to Springsteen’s stark, evocative lyrics about hard times in a troubled city.

The Original: Springsteen’s “Atlantic City”

Bruce Springsteen wrote and recorded “Atlantic City” for his 1982 album Nebraska. The song, stripped down to just voice and acoustic guitar, was a stark departure from the heartland rock anthems that made Springsteen famous. In it, Springsteen tells the story of a man down on his luck, navigating a world of organized crime and broken dreams in the fading grandeur of Atlantic City.

At the time, Atlantic City was a place in transition. The casinos were supposed to bring back prosperity, but the city remained mired in poverty and crime. The song reflects the desperation and tenuous hope of those trying to find a way out, with haunting lyrics like, “Maybe everything that dies someday comes back.”

Springsteen’s original version has a haunting quality—raw, minimal, and steeped in melancholy. It’s a song about survival, laced with the tension between despair and resilience.

The Band’s Version: A New Take on Survival

When The Band decided to cover “Atlantic City” over a decade later, they had their own story of survival to tell. After a storied career in the late ’60s and early ’70s, The Band broke up in 1976 with a legendary farewell concert, The Last Waltz. But in 1983, they reformed without key member Robbie Robertson and began performing again, eventually recording Jericho in 1993.

Their version of “Atlantic City” is a full-band arrangement, lush with harmonies and rich instrumentation. Levon Helm and Rick Danko share vocal duties, with Helm’s gritty, soulful voice capturing the song’s sense of resilience and struggle, while Danko’s high, plaintive tone adds a layer of melancholy.

The addition of The Band’s signature sound—layered harmonies, rootsy instrumentation, and a blend of rock, folk, and Americana—transforms the song into something both mournful and defiant. Garth Hudson’s accordion, in particular, adds a plaintive, almost mournful feel, grounding the song in a place of deep emotion.

The 1994 Performance: A Peak in Live Rendition

The August 5, 1994 performance in Rockford, IL, immortalized for The Road TV series, captures The Band at a pivotal moment in their resurgence. The lineup at the time included new members, such as Jim Weider on guitar, Richard Bell on keyboards, and Randy Ciarlante on drums and vocals, alongside original members Helm, Danko, and Hudson. The Horn Section, featuring Joe Mulherin (trumpet), David Woodford and Joe Sublett (tenor sax), Garrett Adkins (trombone), and Howard Johnson (tuba and baritone sax), added an extra layer of depth to the performance.

The song’s arrangement is fuller than the studio version, with the horns giving it a certain weight and gravitas. It’s an embodiment of The Band’s musical journey—finding new ways to create rich, layered sounds, even as they dealt with the challenges of a changing lineup and the passage of time.

Helm’s drumming and lead vocals drive the song with a sense of urgency, while Danko’s bass playing provides a rhythmic pulse that complements the dark, foreboding nature of the lyrics. Hudson’s accordion once again stands out, giving the song its haunting, soulful undertones. The live performance, with its full-band arrangement, brings out the depth and complexity of the song in ways that both honor Springsteen’s original and make it distinctly The Band’s own.

A Song for the Times

The Band’s “Atlantic City” is more than just a cover; it’s a reinterpretation that reflects their own journey through struggle and rebirth. In Springsteen’s lyrics, they found a reflection of their own story—the ups and downs, the resilience in the face of hardship, and the hope that “everything that dies someday comes back.”

Their live performances of the song, especially the 1994 Rockford show, demonstrate The Band’s ability to infuse new meaning into a song, making it resonate with audiences on a deeper level. It’s a testament to their enduring talent and their unique ability to bring together diverse musical influences into a cohesive, powerful whole.

In the hands of The Band, “Atlantic City” becomes not just a tale of one city’s struggles, but a universal story of survival, resilience, and the search for redemption—one that continues to resonate with listeners today.

The Band – Atlantic City – 1994

From “The Road” TV series (1995), shot 8/5/94 in Rockford, IL

The Band:
Levon Helm – vocals, drums
Rick Danko – vocals, bass
Garth Hudson – keyboards, accordion
Jim Weider – guitar
Richard Bell – keyboards, vocals
Randy Ciarlante – drums vocals

The Horn Section:
Joe Mulherin – trumpet
David Woodford – tenor sax
Joe Sublett – tenor sax
Garrett Adkins – trombone
Howard Johnson – tuba, baritone sax

Video (c) 1995 by High Five Entertainment, Tribune Entertainment
Song was written by Bruce Springsteen

chermel-porter-Atlantic City view of Ferris Wheel and boardwalk-unsplash
jason-pischke-Sun splashed clouds orange blue sky with Sea Gull soaring-unsplash

 

Most know that Bruce wrote Atlantic City, yet Levon and the Band made it their own. My favorite version by far is the Band cover with Levon on lead vocal and Rick Danko on back up/harmony vocal. This is a brilliant song by any measure. Lyrically it stands up with the best of Dylan’s repertoire.

We include a few versions, including two by the Band, and two by Bruce and the E Street Band.

Quicklly
chermel-porter-Atlantic City NJ boardwalk with Ferris Wheel view-unsplash

 

 

Atlantic City

Bruce Springsteen

Well they blew up the chicken man in Philly last
Night now they blew up his house too
Down on the boardwalk they’re gettin’ ready
For a fight gonna see what them racket boys can do
Now there’s trouble busin’ in from outta state
And the D.A. can’t get no relief
Gonna be a rumble out on the promenade and
The gamblin’ commission’s hangin’ on by the skin of its teeth
Everything dies baby that’s a fact
But maybe everything that dies someday comes back
Put your makeup on fix your hair up pretty and
Meet me tonight in Atlantic City
Well I got a job and tried to put my money away
But I got in too deep and I could not pay
So I drew what I had from the Central Trust
And I bought us two tickets on that Coast City bus
Everything dies baby that’s a fact
But maybe…

Source: LyricFind

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