Radiohead Band Wallpaper

RaRadiohead’s OK Computer: A Soundtrack for the Aquarian Mindstream

 

Introduction:

There’s an opinion about Radiohead’s seminal release, OK Computer, that echoes in every corner of the music world. Critics have written volumes, and academia has placed it on pedestals. Yet, despite all the critiques, what remains unforgettable is how this album penetrates the core of our collective emotional experience. It transcends mere sound; it becomes a companion for anyone wandering through the complexities of modern life. This is not just an album—it’s the soundtrack for your Saturn return, your full moon cycle, and your nocturnal wanderings in the Aquarian mindstream.

A Unique Emotional Resonance:

From the very first track, “Airbag,” we are plunged into a universe where familiar human emotions are twisted through the lens of a world on the brink of technological and existential crises. Thom Yorke’s voice doesn’t simply sing—it trembles, questions, and ultimately implores us to see beyond the surface. There is an urgency in his tone, a push-and-pull between human fragility and the weight of the external world. In “Karma Police,” Yorke’s haunting vocal delivery rides atop arrangements that sound deceptively simple, yet are deeply layered, evoking a sense of cosmic justice intertwined with personal rebellion.

Guitar Solos as Whirling Dervishes:

Jonathan Richard Guy Greenwood’s guitar work is nothing short of transcendental. His solos don’t just elevate a song—they take on lives of their own, spinning like whirling dervishes through sonic landscapes that are both discordant and harmonious. In “Paranoid Android,” Greenwood’s guitar veers between frenzied outbursts and serene clarity, embodying the chaos that defines modern existence. His touch on the instrument is delicate, precise, yet unafraid of chaos—a sonic metaphor for our inner struggles.

Precision in Rhythm – Philip Selway and Colin Greenwood:
And then there’s Philip Selway’s drumming. His precision could easily be taken for granted, but it’s the heartbeat of this record. Selway manages to capture both the tension and release of each moment, each beat a deliberate step through a field of uncharted emotional terrain. Listen closely to “Let Down”—his rhythm remains the anchor even as the song swells into a wall of sound that feels like it could collapse under its weight.

Colin Charles Greenwood, on bass, provides an orchestral depth that adds a symphonic quality to each track. His basslines in “Exit Music (For a Film)” are not merely complementary but foundational, like the rumble of thunder in the distance, slowly rolling toward us as the song progresses. The Greenwood brothers, working in tandem, orchestrate a soundscape that feels cinematic in scope, full of tension, melancholy, and beauty.

A Sonic Companion for Life’s Turning Points:

OK Computer is not just an album you listen to—it’s an album you live with. It follows you through the labyrinthine passages of your mind during a Saturn return, when life feels as though it’s bending in ways you hadn’t expected. It captures the full moon’s pull, heightening your emotional tides. The album pulses through your nocturnal wanderings when the Aquarian mindstream—the space of abstract thoughts and late-night epiphanies—takes over. This is the music of reflection, of internal transformation.

No One Like Radiohead, No Release Like OK Computer:
There is no artist comparable to Thom Yorke, no band like Radiohead. They have crafted something that stands outside of time—a release that is neither dated nor replicated. Before OK Computer, there were glimpses of what Radiohead could become. After, no one could follow in their footsteps. The release captured the collective unease of a world on the cusp of the 21st century, and it continues to be a touchstone for artists seeking to explore the darker, more existential aspects of modern life.

Cultural Impact and Enduring Legacy:
What makes OK Computer even more fascinating is how it continues to influence the musical and cultural zeitgeist. In the years since its release, Radiohead has been cited as an influence by artists across genres. Yet, no one has quite matched their ability to intertwine the human experience with a haunting, technological landscape. The album’s commentary on surveillance, alienation, and the blurring of humanity and machinery feels even more prophetic in the current digital age. Radiohead wasn’t just making music for their time—they were making it for ours, and for the future we are still navigating.

Conclusion:

OK Computer remains one of the most vital albums in rock history, not just for its groundbreaking sound, but for how it connected with listeners on an emotional, almost spiritual level. As I sit with the album again, it is clear that Radiohead didn’t simply reflect the anxieties of their time—they anticipated the anxieties of ours. No one else could have captured this moment, and no other band could have provided us with a soundtrack for the endless revolutions of our inner worlds, during full moons, Saturn returns, or the quietest moments of the night.

This version intertwines your poetic reflections with a more structured analysis, echoing the thoughtfulness of Ann Powers. It deepens the emotional impact and adds more texture to the musicianship, all while keeping the unique voice of your original piece. Does this feel aligned with what you envisioned for the expanded article?

You have an opinion about Radiohead’s seminal release, OK computer.  The music press has written, as academia has posited, about this incredible release.   The recording urges critique yet penetrates the common core of our shared emotional experience.  Thom Yorke’s vocals, harmonic structure, manic arrangements, Jonathan Richard Guy Greenwood’s ascending discordant, accordant whirling dervish guitar solos, “Philip Selway’s precise drumming.”

Colin Charles Greenwood’s creatively orchestral, frequently symphonic basslines.

This is the soundtrack for your Saturn return, full moon cycle, and nocturnal wanderings in the Aquarian mindstream.

No one comparable to Thom Yorke, no band like Radiohead, no release before or after like OK Computer.

Paul Langan

Editor CoolMedia , Cool Media, LLC

(1) Philip Selway is well known for his precision and proficiency in various styles and unusual time signatures, being named the 26th greatest drummer of all time by Gigwise in 2008 Wikipedia

OK Computer Vinyl
radiohead-okcomputer-ok-computer-radio-head-hd-wallpaper-preview

Paranoid Android (Radiohead)-Jools Holland-1997

Lyrics
Please could you stop the noise?
I’m trying to get some rest
From all the unborn chicken
Voices in my head
What’s there?
(I may be paranoid, but not an android)
What’s there?
(I may be paranoid, but not an android)
When I am king
You will be first against the wall
With your opinion
Which is of no consequence at all
What’s there?
(I may be paranoid, but no android)
What’s there?
(I may be paranoid, but no android)
Ambition makes you look pretty ugly
Kicking and squealing Gucci little piggy
You don’t remember, you don’t remember
Why don’t you remember my name?
Off with his head, man
Off with his head, man
Why don’t you remember my name?
I guess he does
Rain down, rain down
Come on rain down on me
From a great height
From a great height
Height
Rain down, rain down
Come on rain down on me
From a great height
From a great height
Height
Rain down, rain down
Come on rain down on me
That’s it, sir
You’re leaving
The crackle of pigskin
The dust and the screaming
The yuppies networking
The panic, the vomit
The panic, the vomit
God loves his children
God loves his children, yeah
Source: Musixmatch
Songwriters: Greenwood Colin Charles / Greenwood Jonathan Richard Guy / O Brien Edward John / Selway Philip James / Yorke Thomas Edward
Paranoid Android lyrics © Warner/chappell Music Ltd

OK computer album cover front
Radiohead band
karl-bewick-phongraph with LPunsplash
Radiohead OK computer period
Radiohead Logo

Paranoid Android (Radiohead)-Jools Holland-1997 Entire show was just released: https://www.radiohead.com/library/#ok… (This upload has no monetization, profit whatsoever. All rights and reserves belong to BBC and Radiohead.)

 


Radiohead
RadioHead Band

What Makes This Song Great? Ep.31 RADIOHEAD

 

 

riff-section-2-play

Get Studio Quality Recording with the RIFF Audio Interface at PositiveGrid.com! Limited Time Offer!

riff-large-display-device-new

riff-large-display-device-new

 

 

Your new home rig is supercharged.

RIFF has everything you need for playing, recording, and practicing guitar. A best-in-class interface with pristine audio converters and a direct mode for zero latency, RIFF includes a crisp display housed in a rugged metal body. Connect it to BIAS FX 2 software for a dream power rig packed with amazing tone and versatility.

 

 

Radiohead Paranoid Android // Composer Reaction // The Decomposer Lounge

Song
Paranoid Android
Artist
Radiohead
Album
Paranoid Android
Writers
Ed O’Brien, Colin Greenwood, Philip Selway, Thom Yorke, Jonny Greenwood
Licensed to YouTube by
Beggars (on behalf of XL Recordings); LatinAutorPerf, LatinAutor – Warner Chappell, Warner Chappell, UNIAO BRASILEIRA DE EDITORAS DE MUSICA – UBEM, PEDL, ASCAP, and 9 Music Rights Societies

RADIOHEAD: A Job That Slowly Kills You

 

Edited by @hund

Biopic documenting the career of Radiohead that focuses on the psychological effects of fame at a young age and the disconnect between what an artist gives and what a consumer takes. Yeah, this took a while. I hate to do this, but I include a PayPal link if u wanna donate to the channel, as I have made $0 from this channel so far. Any donation is appreciated, and thank u in advance. https://www.paypal.me/k9martin

MUSIC: 00:16 radiohead – daydreaming 01:09 radiohead – untitled 01:55 disasterpeace – anyone 02:30 thom yorke – the jumps 04:13 radiohead – stop whispering (demo) 05:41 radiohead – pop is dead 08:12 radiohead – creep 12:03 paul leonard-morgan – slo mo 16:29 radiohead – just 19:25 radiohead – fake plastic trees 21:40 whitehouse – daddo 22:34 paul leonard-morgan – deep end 27:07 radiohead – let down 28:08 alon mor – dawn fall 28:50 ricky eat acid – driving alone past roadworks at night 33:10 radiohead – no surprises 35:58 radiohead – a piano lies down in the middle of the road 37:07 colin stetson – party crash 37:42 dave porter – crawl space 38:06 radiohead – kid a 42:52 radiohead – the national anthem 45:50 bobby krlic – the house that harga built 49:14 radiohead – weird fishes 54:42 radiohead – faust arp 56:51 torus – pavillion 57:40 radiohead – lotus flower 59:40 radiohead – bloom 01:02:30 vitamin string quartet – all alright (sigur ros) 01:08:12 vitamin string quartet – no surprises 01:11:37 radiohead – jigsaw falling into plce kid a and amnesiac graphics stolen from: https://youtu.be/QzpSKfXneZw (sorry) so yeah i guess enjoy, if u are new to the channel sub coz i am making more stuff soon email – zachdigital1@gmail.com ig – @djhund

Radiohead – In Rainbows From the Basement (April 2008)

 

Recorded at The Hospital Club, London in April 2008.

Setlist
00:00:21 Weird Fishes / Arpeggi
00:05:41 15 Step
00:09:37 Bodysnatchers
00:14:02 Nude
00:18:49 The Gloaming
00:21:46 Myxomatosis
00:25:43 House of Cards
00:31:21 Bangers + Mash
00:34:54 Optimistic
00:39:51 Reckoner
00:44:50 Videotape
00:49:33 Where I End And You Begin
00:54:59 All I Need
00:59:17 Go Slowly

Director: David Barnard
Producers: Nigel Godrich, Dilly Gent, James Chads & John Woollcombe
Director of Photography: Brett Turnbull
Editor: Jerry Chater
Sound Engineers: Fred Jackson & Martin Dineley

Produced and Mixed by Nigel Godrich
Recording Assistant: Richard Woodcraft

 

Recorded at The Hospital Club, London in April 2008. Setlist 00:00:21 Weird Fishes / Arpeggi 00:05:41 15 Step 00:09:37 Bodysnatchers 00:14:02 Nude 00:18:49 The Gloaming 00:21:46 Myxomatosis 00:25:43 House of Cards 00:31:21 Bangers + Mash 00:34:54 Optimistic 00:39:51 Reckoner 00:44:50 Videotape 00:49:33 Where I End And You Begin 00:54:59 All I Need 00:59:17

 

fey-marin-Published on February 10, 2019-unsplash
Take a look at our Pinterest Page:

Thom Yorke at Coachellla

Radiohead – Live in São Paulo (April 2018)

 

Recorded at Allianz Parque, São Paulo, Brazil on the 22nd of April 2018

Setlist 00:00:08 Daydreaming 00:05:56 Ful Stop 00:11:31 15 Step 00:15:32 Myxomatosis 00:19:50 You and Whose Army? 00:23:09 All I Need 00:27:48 Pyramid Song 00:33:53 Everything in Its Right Place 00:39:11 Let Down 00:44:18 Bloom 00:50:54 The Numbers 00:56:36 My Iron Lung 01:01:54 The Gloaming 01:05:37 No Surprises 01:09:51 Weird Fishes / Arpeggi 01:16:01 2 + 2 = 5 01:19:21 Idioteque 01:25:50 Exit Music (for a Film) 01:30:54 Nude 01:35:20 Identikit 01:40:30 There There 01:46:05 Lotus Flower 01:51:11 Bodysnatchers 01:58:18 Present Tense 02:04:06 Paranoid Android 02:10:49 Fake Plastic Trees

Radiohead live in Sao Paulo Brazil
Radiohead Thom Yorke and Jonny Greenwood
Radio head
Thom Yorke with Radiohead at Coachella HD

Radiohead – Live from Coachella Valley Music and Arts Festival (April 2017)

 

Recorded at Coachella Valley Music and Arts Festival in Indio, CA, the USA on the 21st of April 2017

Setlist: 00:00:02 Daydreaming 00:06:32 Desert Island Disk 00:10:43 Ful Stop 00:16:22 15 Step 00:20:36 Myxomatosis 00:24:46 Lucky 00:29:24 All I Need 00:33:51 Pyramid Song 00:39:59 Everything in Its Right Place 00:44:33 Bloom 00:51:13 Identikit 00:56:30 My Iron Lung 01:01:40 The Gloaming 01:05:32 I Might Be Wrong 01:10:26 Bodysnatchers 01:14:54 Exit Music (For a Film) 01:19:57 Reckoner 01:27:38 No Surprises 01:32:07 Paranoid Android 01:39:16 Fake Plastic Trees 01:44:26 Lotus Flower 01:49:38 Idioteque Directed by Kerry Asmussen

mobin-jahantark-Shahrak-e Gharb, Tehran, Iran Published on July 30, 2018-unsplash
egor-myznik-Green Plastic Watering Can-unsplash
Jean-Michael Basqiuat work

Radiohead – Fake Plastic Trees

 

‘Fake Plastic Trees’ is taken from ‘The Bends’ out on XL Recordings. Buy & stream it here: https://radiohead.ffm.to/thebends Director: Jake Scott Producer: Ellen JacobsonCinematography: Salvatore Totino Production company: Black Dog Films (LA)

Song

Lyrics

Her green plastic watering can
For her fake Chinese rubber plant
In the fake plastic earth
That she bought from a rubber man
In a town full of rubber plans
To get rid of itself
It wears her out
It wears her out
It wears her out
It wears her out
She lives with a broken man
A cracked polystyrene man
Who just crumbles and burns
He used to do surgery
For girls in the eighties
But gravity always wins
And it wears him out
It wears him out
It wears him out
It wears
She looks like the real thing
She tastes like the real thing
My fake plastic love
But I can’t help the feeling
I could blow through the ceiling
If I just turn and run
And it wears me out
It wears me out
It wears me out
It wears me out
And if I could be who you wanted
If I could be who you wanted
All the time
All the time

Source: Musixmatch
Songwriters: Philip James Selway / Jonathan Richard Guy Greenwood / Edward John O’brien / Thomas Edward Yorke / Colin Charles Greenwood
Fake Plastic Trees lyrics © Warner/Chappell Music

the-smile-1-credit-alex-lake_wide-6fc781720867994dd3f2a26d37fb6276bec7562a-s400-c85

The Smile is a weirder version of Radiohead, if that's even possible

December 14, 2022, • Radiohead’s Thom Yorke and Jonny Greenwood formed a new band, sharing this exclusive mini-concert, recorded at the 2022 Montreux Jazz Festival.

Airbag

Provided to YouTube by Beggars Group Digital Ltd. Airbag · Radiohead OK Computer ℗ 1997 XL Recordings Ltd Released on: 1997-05-28 Associated Performer: Colin Greenwood Producer: Colin Greenwood Associated Performer: Ed O’Brien Producer: Ed O’Brien Associated Performer: Jonny Greenwood Producer: Jonny Greenwood Producer: Nigel Godrich Associated Performer: Phil Selway Producer: Phil Selway Associated Performer: Thom Yorke Producer: Thom Yorke Associated Performer: Nigel Godrich Composer: Colin Greenwood Composer: Ed O’Brien Composer: Jonny Greenwood Composer: Phil Selway Composer Lyricist: Thom Yorke Auto-generated by YouTube.

Lyrics

Karma police
Arrest this man
He talks in maths
He buzzes like a fridge
He’s like a detuned radio
Karma police
Arrest this girl
Her Hitler hairdo
Is making me feel ill
And we have crashed her party
This is what you’ll get
This is what you’ll get
This is what you’ll get
When you mess with us
Karma police
I’ve given all I can
It’s not enough
I’ve given all I can
But we’re still on the payroll
This is what you’ll get
This is what you’ll get
This is what you’ll get
When you mess with us
For a minute there
I lost myself, I lost myself
Phew, for a minute there
I lost myself, I lost myself
For a minute there
I lost myself, I lost myself
Phew, for a minute there
I lost myself, I lost myself
Source: Musixmatch
Songwriters: Philip James Selway / Jonathan Richard Guy Greenwood / Edward John O’brien / Thomas Edward Yorke / Colin Charles Greenwood
Karma Police lyrics © Warner/Chappell Music Ltd


Provided to YouTube by Beggars Group Digital Ltd. Karma Police · Radiohead OK Computer ℗ 1997 XL Recordings Ltd Released on: 1997-05-28 Associated Performer: Colin Greenwood Producer: Colin Greenwood Associated Performer: Ed O’Brien Producer: Ed O’Brien Associated Performer: Jonny Greenwood Producer: Jonny Greenwood Producer: Nigel Godrich Associated Performer: Phil Selway Producer: Phil Selway Associated Performer: Thom Yorke Producer: Thom Yorke Associated Performer: Nigel Godrich Composer: Colin Greenwood Composer: Ed O’Brien Composer: Jonny Greenwood Composer: Phil Selway Composer Lyricist: Thom Yorke